Into the Void
To acknowledge death without thinking about it.
Can natural objects exist in their truest forms in a realm of nothingness, just as is?
Through the use of triptychs Into the Void explores the idea of distinguishing time in three segments; creation, destruction, and rebirth; the past, the present, and the future; memory, attention, and expectation. They have grown out of the ephemeral qualities of material and source. They are delicately and intimately bound through timely execution, but also through a quiet exasperation in a vulnerable mindset of a perceived transition of experience transmuted by traces of nature at its purest. All of these images depict a certain type of loss: a loss of living, the passing or loss of time, and loss of memory. It has become about the exploration of space, and how these enriched objects can occupy them, but also how people interact with these created areas through understanding (their own) essential bareness.